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与《我不是药神》同台PK《麦子的盖头》再现小人物的悲哀与抗争

2019-07-15 点击:1218
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随着中国电影产业的不断发展,专注于绘制社会问题和矛盾,在不同文化层面建立群众对话的现实主题电影逐渐受到市场和观众的关注。 2018年,《麦子的盖头》和《我不是药神》被选为同期第42届蒙特利尔国际电影节的主要竞争单位。他们以大胆而锐利的现实主义吸引了国内外观众的广泛关注。

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图:《麦子的盖头》获得了国际电影节奖项

笔是悲伤的荒谬的“黑色幽默”是多么现实。

“主题已经非常沉重。如果它体现得很沉重,一些观众可能很难接受它。”《我不是药神》导演兼编剧文穆耶在接受媒体采访时表示。从某种意义上说,温木业导演提到的因素也导致黑色幽默成为现实电影的惯用表现。

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图:《我不是药神》

从鲁迅的文学奖获得者胡学文的小说《麦子的盖头》改编的同名电影中,有多少现实是荒谬的,也通过黑色幽默的表达勾勒出小人物在沉重的现实中的悲伤和抵抗,并被称赞为一个美丽的《我不是药神》另一个“黑马”的作品。 2018年,《麦子的盖头》和流行的口碑《我不是药神》被列入第42届蒙特利尔国际电影节的主要竞赛单元,这也在一定程度上证实了这部未发行的电影和电视作品的社会意义。

没有完美的“主角”是一种普通的变化

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图:《麦子的盖头》获得了国际电影节奖项

In addition to the similarities in expression techniques, the two films that were shortlisted at the Montreal International Film Festival have many similarities in terms of character creation, role transformation, and ideological sublimation.

Whether it is Cheng Yong in《我不是药神》or wheat in《麦子的盖头》, they are all living in the market, running under the pressure of small people, with more or less personality, these imperfect human nature makes The absurd story presented by the black humor is becoming more and more real.

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Figure:《我不是药神》Xu Wei

《我不是药神》At the beginning of the film, Cheng Yong is just a middle-aged man who is poor, greedy, and timid. Even at the beginning of the journey, when the patient with chronic granulosis was taking medicine from India, he only wanted to earn "money" to save his father. He could not afford to be called "medicine god."

The self-salvation and sublimation of this character took place under the impact of a series of miserable encounters. It is these heavy sorrows that "do not want to die but have to die, but want to live but can only commit suicide" stimulating Cheng Yong, and promoting the good side of others' sexuality to prevail, becoming the "light of redemption" for millions of patients.

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Figure:《麦子的盖头》Xu Yuzi

Similarly, at the beginning of the《麦子的盖头》film, wheat was just a rural woman living in a remote mountain village influenced by backward culture. She entrusted her life with a "red hijab" and entrusted it to a man, and this is just the beginning of the film.

Push the film story to a climax.

The absurdity of the whole incident is not that Ma Dogan has exchanged his wife as a “commodity” mortgage, nor is it that the miners are old and the people around them recognize this ridiculous transaction, but even the wheat itself recognizes that this “goods” are sold. Trading method!

xx人性不仅仅是这个,但如果电影停在这里,那么《麦子的盖头》只是一部电影和电视作品,展示了世纪之交偏远山区村庄妇女的悲惨生活。

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图:《麦子的盖头》徐玉子

“小麦”角色的升华在于电影的结尾。无论是生存还是死亡,无论是选择爱情还是选择仇恨,这位一直依赖别人并从未成为自己主人的女人终于觉醒并开始“抵制”。

一个是“善与救”的觉醒,另一个是“自我意识”的觉醒。这两部电影也是小人类的人文斗争,凭借其思想水平赢得了国内外观众的赞誉。

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几天前,《麦子的盖头》这部被称为“药神”的2019年黑马电影正式公布。它将于2019年10月在国家电影院上映。以“小麦”为代表的女性的自我觉醒和自我表现维护的艰辛。

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